Reed Farrel Coleman_Moe Prager Mysteries #1-9 (RE-UP_REQUEST)


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Reed Farrel Coleman_Moe Prager Mysteries #1-9 (RE-UP_REQUEST)
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Torrent File Content (36 files)


Reed Farrel Coleman_Moe Prager Mysteries #1-9 (RE-UP_REQUEST)
    #1 Walking the Perfect Square
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    #2 Redemption Street
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    #3 James Deans, The
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    #4 Soul Patch
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    #5 Empty Ever After
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    #6 Innocent Monster
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    #7 Hurt Machine
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    #8 Onion Street
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    #9 Hollow Girl, The
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Description



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Recently retired due to a freak accident, NYPD officer Moe Prager is lost. In pain and without the job he loves, Moe relunctantly settles on the notion of going into the wine business with his brother. When a suburban college student vanishes off the streets of Manhattan, Prager's universe is turned upside down and his life changed forever. Hired by the student's desperate family, Moe plunges deep into the world of New York s punk underground, sex clubs, and biker bars. Politicians, journalists, and crooked cops seem hell-bent on stopping him in his tracks. Set on the gritty city streets of the late seventies and the present day, Walking the Perfect Square is a unique mystery that delivers a compelling look at one person's efforts to find a man who was never really there and to protect his family from an unbearable truth.

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Walking the Perfect Square introduced Moe Prager—retired New York City cop-turned-wine shop owner—to much acclaim and an enthusiastic readership. Still possessed of his vintage police savvy, and perhaps the only Jewish licensed PI in the five boroughs, Moe wonders if he’s really meant to be a merchant and not a cop. Redemption Street finds him in 1981, lured into the mystery of a 1966 hotel fire—one that killed seventeen people, including his first love—by a long-grieving brother and Moe’s own restless determination to set things right. Reed Farrel Coleman’s crisp, page-turning narrative has Moe trudging through his childhood summer vacation stomping grounds, the now-decaying Catskill resort scene. The borscht belt’s near-forgotten landscape of scarred lives, ambitious politicians, and corrupt cops is the minefield Moe must brave to find the truth. Was the fire really sparked by a negligent smoker or was it murder? Will the long dead keep their secrets or divulge their stories? And will what Moe uncovers lead him down another blind alley or into the bright light of Redemption Street?

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It's 1983 and Reaganomics is in full swing. But beneath the facade of junk bonds and easy money, New York remains a gritty metropolis offering Nirvana with one hand and desolation with the other. Moe Prager, ex-NYPD cop turned reluctant P.I. is too busy reeling from a family tragedy to see what's coming. He's about to be sucked into a case that might deliver him what he's always wanted or plunge him into purgatory.

Two years earlier, Moira Heaton, a young intern for an up-and-coming politico, vanished without a trace. Although there is no evidence supporting her boss's involvement, rumors and whispers have conspired to stall his once-promising career. Now, in a last- ditch effort to clear his name, state senator Steven Brightman, with the clout of a wealthy backer, enlists Moe's help. With twists and turns galore and Moe's inimitable voice, The James Deans is an absorbing page- turner that will add to the burgeoning reputation of one of today's most promising writers.

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In this darkly intriguing follow-up to the Shamus and Barry winning The James Deans, ex-NYPD cop turned P.I. and entrepreneur, Moe Prager is faced with a gut-wrenching case. The apparent suicide of his old friend and NYPD Chief of Detectives, Larry McDonald, forces Moe back onto the decaying Coney Island streets he patrolled when he was in uniform. But now, beneath the boardwalk and behind the rusted and crumbling rides of the midway, he finds a trail of death, betrayal, and corruption reaching back to 1972. As Faulkner once said, "The past is never dead. It isn't even past." So it goes for Moe Prager in Soul Patch.

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Winner of the Shamus Award.

"Moe's back—if you haven't already discovered Reed Farrel Coleman's wonderful, award-winning ex-cop-turned-PI, Moe Prager, here's your chance. [Coleman] is the man to measure the rest by, a writer with a passionate belief in giving his best, and an eye for what makes the PI novel work at a level few can match."—Charles Todd, author of The Red Door

For over twenty years, retired NYPD officer and PI Moe Prager has been haunted by the secret that would eventually destroy his family. Now, two years after the fallout from the truth, more than secrets are haunting the Prager family. Moe follows a trail of graverobbers from cemetery to cemetery, from ashes to ashes and back again in order to finally solve the enigma of his dead brother-in-law Patrick. He plunges deeper into the dark recesses of his past than ever before, revisiting all of his old cases in order to uncover the twisted alchemy of vengeance and resurrection. Will Moe put his past to rest at last? Will he find the man who belongs in that vacant grave, or will it remain empty—empty ever after?

This new edition features:

New foreword by Edgar Award–winning crime writer S. J. Rozan (The Shanghai Moon)
New afterword by Reed Farrel Coleman

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Seven years have passed since the brutal murder that tore Moe Prager's family apart and it's been six years since Moe's brushed the dust off his PI license. But when his estranged daughter Sarah comes to him with a request he cannot refuse, Moe takes a deep breath and plunges back into the icy, opaque waters of secrets and lies.

Sashi Bluntstone, an eleven-year-old art prodigy and daughter of Sarah's dearest childhood friend, has been abducted. Three weeks into the investigation, the cops have gotten nowhere and the parents have gotten desperate. Desperation, the door through which Moe Prager always enters, swings wide open. Just as in Sashi's paintings, there's much more to the case than one can see at a glance.

With the help of an ex-football star, Moe stumbles aroupd the fringes of the New York art scene, trying to get a handle on where the art stops and the commerce begins. Much to Moe's surprise and disgust, he discovers that Sashi is, on the one hand, revered as a cash cow and, on the other, reviled as a fraud and a joke.

Suspects abound beyond the usual predators and pedophiles, for it is those closest to Sashi in life who have the most to gain from her death. Cruel ironies lurk around every corner, beneath every painting, and behind every door. Almost nothing is what it seems.

Beware the innocent monster, for it need not hide itself and it lives closely among us: sometimes as close as the mirror.

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At a pre-wedding party for his daughter Sarah, Moe Prager is approached by his ex-wife and former PI partner Carmella Melendez. It seems Carmella's estranged sister Alta has been murdered, but no one in New York City seems to care. Why? Alta, a FDNY EMT, and her partner had months earlier refused to give assistance to a dying man at a fancy downtown eatery. Moe decides to help Carmella as a means to distract himself from his own life-and-death struggle. Making headway on the case is no mean feat as no one, including Alta's partner Maya Watson, wants to cooperate. Moe chips away until he discovers a cancer roiling just below the surface, a cancer whose symptoms include bureaucratic greed, sexual harassment, and blackmail. But is any of it connected to Alta's brutal murder?

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It's 1967 and Moe Prager is wandering aimlessly through his college career and his life. All that changes when his girlfriend Mindy is viciously beaten into a coma and left to die on the snow-covered streets of Brooklyn. Suddenly, Moe has purpose. He is determined to find out who's done this to Mindy and why. But Mindy is not the only person in Moe's life who's in danger. Someone is also trying to kill his best and oldest friend, Bobby Friedman.

Things get really strange when Moe enlists the aid of Lids, a half-cracked genius drug pusher from the old neighborhood. Lids hooks Moe up with his first solid information. Problem is, the info seems to take Moe in five directions at once and leads to more questions than answers. How is a bitter old camp survivor connected to the dead man in the apartment above his fixit shop, or to the OD-ed junkie found on the boardwalk in Coney Island? What could an underground radical group have to do with the local Mafioso capo? And where do Mindy and Bobby fit into any of this?

Moe will risk everything to find the answers. He will travel from the pot-holed pavement of Brighton Beach to the Pocono Mountains to the runways at Kennedy Airport. But no matter how far he goes or how fast he gets there, all roads lead to Onion Street.

From Booklist

Starred Review Coleman’s latest—a prequel to the award-winning Moe Prager series—is a slam-dunk recommendation for readers drawn to smart, gritty crime fiction with label-defying characters. Onion Street chronicles Moe’s introduction to crime solving, showing him emerging from aimlessness and barreling toward purpose as his intuition for connecting crime dots is awakened. A Brooklyn College student in tumultuous 1967, Moe hasn’t become entangled in the radical movements sweeping campuses (mostly because he’s apathetic), but there’s no exemption from danger when chants give way to violence. After Moe’s activist girlfriend, Mindy, is found severely beaten, he has reason to doubt that the attack is a simple mugging. The night before, Moe ignored Mindy’s warning that he should avoid his best friend, Bobby, and they narrowly missed being hit by a rampaging Cadillac. Bobby’s been secretive lately, especially since his own girlfriend’s suspicious death, but when Bobby denies the events are connected, Moe knows he’s lying. Too curious to resist investigating, Moe is soon poking ata beehive of radical politics, drugs, thugs, cops, and Mob heavies. Exposing a well-loved character’s backstory can be risky, but Coleman manages the trick just fine, with setting and character nicely balancing plot and action. --Christine Tran

Review

“The bones of this story is your typical noir, though Coleman, the master of the twist, never lets the story stray into formula. This story is very organic, and several details resonated with me. Freed from the constraints of a series, Coleman has written what is probably his best novel yet.” --Edged in Blu

“A satisfying addition to the series, demonstrating Coleman's trademark humor, twisty plotting, well-developed characters, and an evocative and authentic portrait of the author's beloved Brooklyn. For those who have not yet discovered the series, Onion Street is an excellent place to start.” --Reviewing the Evidence

“Very entertaining company on the beach before the summer slips away.” --Penthouse

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The final novel in one of the most critically acclaimed PI series in the annals of crime fiction!

"Few writers working in any genre offer tales with such moral complexity, dark humor, and, most of all, heart." --Megan Abbott, author of Dare Me

Drunk, alone, and racked with guilt over the tragic death of his girlfriend Pam, Moe Prager is destined for oblivion. But destiny takes a detour when a shadowy figure from Moe's past reappears to beg for Moe's help in locating her missing daughter. As a reluctant, distracted Moe delves into the case, he discovers that nothing is as it seems and no one involved is quite who or what they appear to be. This is especially true of the missing daughter, an early internet sensation known ironically as the Lost Girl or the Hollow Girl. The case itself is hollow, as Moe finds little proof that anyone is actually missing.

Things take a bizarre twist as Moe stumbles across a body in a trendy Manhattan apartment and the Hollow Girl suddenly re-emerges on video screens everywhere. It's a wild ride through the funhouse as Moe tries to piece together a case from the half-truths and lies told to him by a fool's parade of family members, washed-up showbiz types, uncaring cops, a doorman, and a lovesick PI. Even as the ticking clock gets louder, Moe is unsure if it's all a big hoax or if someone's life is really at stake. The question isn't whether or not Moe can find the Hollow Girl, but whether the Hollow Girl was ever there at all.

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